CAMPANILE - traducción al árabe

A TOWER THAT CONTAINS ONE OR MORE BELLS, OR THAT IS DESIGNED TO HOLD BELLS

Campanile; Belltower; Bell-tower; Bell towers; List of campaniles; Campanili; Campaniles

Bell towers, belfries and campaniles by date

CAMPANILE

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campanile

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campanile

Definición

Campanile

·noun A bell tower, ·esp. one built separate from a church.

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Wikipedia

Bell tower

A bell tower is a tower that contains one or more bells, or that is designed to hold bells even if it has none. Such a tower commonly serves as part of a Christian church, and will contain church bells, but there are also many secular bell towers, often part of a municipal building, an educational establishment, or a tower built specifically to house a carillon. Church bell towers often incorporate clocks, and secular towers usually do, as a public service.

The term campanile (, also US: , Italian: [kampaˈniːle]), from the Italian campanile, which in turn derives from campana, meaning "bell", is synonymous with bell tower; though in English usage campanile tends to be used to refer to a free standing bell tower. A bell tower may also in some traditions be called a belfry, though this term may also refer specifically to the substructure that houses the bells and the ringers rather than the complete tower.

The tallest free-standing bell tower in the world, 113.2 metres (371 ft) high, is the Mortegliano Bell Tower, in the Friuli Venezia Giulia region, Italy.

https://en.wikipedia.org/wiki/Bell tower

Ejemplos de pronunciación para CAMPANILE

1. in "The Campanile" newspaper.

Moonshots in Education _ Esther Wojcicki _ Talks at Google

2. So this is "The Campanile."

Moonshots in Education _ Esther Wojcicki _ Talks at Google

3. It comes out with "The Campanile."

Moonshots in Education _ Esther Wojcicki _ Talks at Google

4. And we were on the newspaper together, "The Campanile."

The Disaster Artist _ James Franco _ Talks at Google

Ejemplos de uso de CAMPANILE

1. Ashton–under–Lyne modelled its baths on the campanile at Sienna, not a place that Ashton resembles in most other respects.

2. Showing that the painting was meant to be a visual amalgamation of his Venetian experiences and not an accurate topographical view of the canal, Turner has deliberately juxtaposed the distant campanile of St Mark‘s with the domes of the Madonna della Salute so that they appear to be part of the same complex.

3. Its Victorian public bathhouse, as I noted only last week, sports a tower that echoes the campanile in Siena (though the baths today are a very sad sight, an abandoned, desolate redbrick island in a sea of demolition and reconstruction; a tree is growing out of the top of the Sienese tower). Yet even these achievements are topped in my estimation by a claim once made by this newspaper.